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Canon XL H1
The XL H1 also features uncompressed HD-SDI (SMPTE 292M) and SD-SDI (SMPTE 259M) output, as well as Genlock input and SMPTE time code input and output for multi-camera shoots. And, with its customizable open-architecture approach, selectable frame rates including 24F, and multiple output options, you've got exactly the right tool -- every time.
Professional JackPack: Multi-camera shoots? No problem with Genlock synchronization or SMPTE time code input and output. Uncompressed HD-SDI and SD-SDI output. Quickly and conveniently make the connection you need. Total Cine Control: Gamma, Knee, Black, Master Pedestal, Setup Level, Sharpness, Horizontal Detail Frequency, Horizontal/Vertical Detail Balance, Coring, Noise Reduction 1, Noise Reduction 2, Color Matrix, Color Gain, Color Phase, Master Red Gain, Master Blue Gain, Master Green Gain, R-G Matrix, R-B Matrix, G-R Matrix, G-B Matrix, B-R Matrix, B-G Matrix. 20x HD Video Lens: XL H1 20x 38.9 -- 778mm lens for outstanding resolution, contrast, and color reproduction. Canon XL lens mount. superb Super Range Optical Image Stabilization (OIS) system corrects camera shake instantly for steady shots -- even when they're hand held at long focal lengths or taken with the camera in motion. The system detects low-frequency vibrations missed by the gyro and sends this data back to accelerate and refine the movement of the vari-angle prism. This greatly improves performance for low frequency vibration, resulting in the most advanced optical image stabilization available today. Since the XL H1's OIS system is optical, there isn't the loss of image quality that is inevitable with electronic image stabilizers. Focus and Zoom Presets for repeatable focus or zoom moves Still Image Recording: Capture images at full HD resolution (1920x 1080), with all the custom settings. With many pre- and post-production, storyboarding, and continuity applications. Three Native 16:9 Image Sensors: 3 CCDs with a separate native 16:9 CCDs for each primary color. Eeach 1/3" CCD has 1.67M pixels for higher resolution, delivering outstanding picture quality, highly accurate color reproduction and a wide dynamic range with virtually no color noise. DIGIC DV II Image Processor: This is the next generation of Canon's exclusive DIGIC DV signal processing technology. Even though video and still images have different color requirements, DIGIC DV II HD digital signal processing ensures optimal image quality for both HD video and still images. Combination 16:9 Electronic Viewfinder and LCD Panel: Big and bright 2.4", 16:9 Electronic Viewfinder works in either EVF or LCD mode, and can be adjusted left to right, and forward to backwards. Safe Area Markings (80%, 90%), Aspect Ratio Guides, B/W mode, Zebra Pattern (70 -- 100 IRE) make it easy to frame and check exposure, while Peaking and Magnifying Focus Help all assist you in composing your shot and getting the proper exposure. With the 20x HD video lens and the XL H1, you can also utilize the Distance Readout System in either feet or meters. Six Custom Presets and Two Custom Keys: Quickly and easily retrieve previously defined picture and camera settings using these presets and keys. Six custom presets allow you to store different sets of camera adjustments, including: color gain, color phase, sharpness, setup level, V detail, color matrix, gamma, knee, black stretch and skin detail (hue, gain, area, Y level). Once saved, the presets are easily retrieved for duplicating a previously defined look. Using the SD / MultiMediaCard slot you can store up to 20 Custom Presets and easily transfer them to another XL H1. With the optional Console software, you can adjust all of the functions of the camcorder and transfer the Custom Presets to and from the camcorder. You can even send the presets by email to another XL H1 user. You can also define two custom keys, in both camera mode and VCR mode, giving you customized shooting modes that can be retrieved as needed. Flange Back Adjustment: Adjust the Flange Back of a lens mounted on the XL H1. This adjustment can be done automatically or manually. SMPTE Time Code and Color Bars: The XL H1 conforms to industry standards with SMPTE time code, Drop, Non-Drop, Rec Run and Free Run modes. The XL H1 generates industry standard SMPTE color bars with a 1 KHz reference tone (-12dB or -20dB) for adjustment purposes, and for setting up video and audio monitors in a variety of production and editing situations. When used as a lead-in, the bars also allow for fast hand-off in the professional broadcast and film post-production environments. Clear Scan: Match the scan rate of the camera to the scan rate of computer monitors to eliminate the horizontal band effect from monitors included in your shot. Skin Detail: Great control over hue, gain, area and Y level (+/- 6 steps). During setup EVF shows a zebra pattern over masking area flashes between picture and white-mask. During setup EE and IEEE1394 out flashes between picture and zebra pattern, enabling you to easily smooth out skin blemishes and wrinkles with total control. Four Channel Audio: Four channel recording with independent control of levels for each channel. The HD camera's audio capabilities also include Locked or Unlocked in DV Recording. Interface Connections: Great flexibility for the connectivity you require, regardless of project that includes BNC video, Component video, S-Video, Composite video, IEEE 1394, 2 Audio LR connections with Phantom power, Microphone terminal (3.5mm), Headphone terminal (3.5mm), LANC terminal, HD-SDI, Genlock, Time Code input and output. 60i / 50i Video Mode Option: With XL H1's open-architecture, you can even customize your HD camcorder to record in both 60i and 50i. Note that this upgrade must be performed by a Canon Service Center. HDV Recording: The XL H1 is capable of recording and playing back High Definition (HD) images using DV cassette tapes. The camcorder records in HDV1080i, and uses a Mode Select and a Frame Rate dial to select HD signals or SD signals and the frame rate.
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